Vitriolic Sage Zhejiang, China
Currently under Pest Productions.
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supported by 135 fans who also own “Enfance en fange”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace!
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supported by 119 fans who also own “Enfance en fange”
An outstanding beast of an album! After testing the waters with Ἡ εἰκών, delivering more of that on the twice as long Ψευδομένη, J.L. seemingly decided to make Τρωθησομένη at least twice as aggressive. The atmosphere its predecessor had has been cut and replaced by riff after riff after riff. Riffs of all sorts, as should be noted: punky, pumping, sick, and grooving. It's like getting clapped by a frenzied maniac for 40 minutes straight. One of the wildest albums I've heard in a while!
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supported by 96 fans who also own “Enfance en fange”
A consistently amazing band! Brings in new elements without letting up on the intensity. The saxophone adds an interesting edge, helping with the cacophony, sometimes, almost melodic at others...
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Altäre der Vergänglichkeit
by Wrack
Crushing blackened doom from this German band that counterbalances blinding fury with moments of surprising, melancholy melody.
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An outstanding slab of atmospheric black metal, “Sisyphus” cannily blends texture and terror for a gripping final product.
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Beyond The Palest Star
by VORGA
featured on Bandcamp Radio Mar 29, 2024
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supported by 89 fans who also own “Enfance en fange”
Firstly, I will never tell what I saw on that cover art at first glance. Secondly, Ἀντιτιμωρουμένη brings even more dissonant and caustic sounds to the table than Τρωθησομένη, making it less immediate and therefore more challenging. But starting with track 4, something collapses, this album plunges into complete and utter disarray and will not stop for a second to haphazardly assault you for the remaining 30 minutes of its runtime. Breathtaking? Yes. Suffocating? Yes. Great? Absolutely.
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